A faction of the Communist Party puts Tokyo rocked by demonstrations that they start. Despite this marked the inner circle of more uncertainty and group sex than determination and morale. When the police forcing them to go underground, and the mysterious Suzuki joins, starts the internal tensions in the group take over.
Inheritance problems drive a succession of violence. Meanwhile the contrast between the indecisive man and the independent women exhibit new possibilities for female representation in pink films. Masao Adachi's low-budget attempt at transgressive political filmmaking is as challenging and cryptic as ever.
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